About Nannette

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artist’s statement  |  cv / resume  |  volunteerism

Nannette Clapman Blinchikoff is a sculptor;  art instructor, tutor, and mentor;  Business-of-Art lecturer, author;  and an active member of the Visual Arts community.  Throughout her 60+ years of making art, she has used an endless array of materials (including 20 years of bronze, her favorite) to produce sculpture of all sizes; from 4-inch abstract bronze-nudes to a hanging 10-foot cardboard mobile.

Nannette has three goals, as her images develop:  1) to make interesting sculpture that brings the viewer into her world of imagination;  2) to think out-of-the box when working on new themes and series;  3) to use trial-and-error methods to make her fragile materials durable to become Fine Art.  This is sometimes challenging, but always illuminating.

Currently, Nannette is working with fiberglass, cardboard, and paper. 
Creating sculpture offers her a sense of accomplishment, independence, and freedom.

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cv / resume

 

Education
Towson University, Towson, MD 

      1984 Master of Education in Art Education &  Sculpture
      1975 Bachelor of Science in Art Education & Sculpture

After finishing my master thesis on the Business of Art (the policies, practices, and procedures of art galleries, agencies, and organizations) I was equipped to navigate the Baltimore art-scene and write four books; Baltimore | Maryland | Washington DC and N. Virginia | Promoting Art with Integrity

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1960-present |  Sculpture  |  Art Instructor  
Business-of-Art: Books, Lectures, Workshops, Articles  
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Public Art Collections

Silent Horror:  A Holocaust Memorial  | Brass, barbed wire, wood  Beth Tfiloh Congregation, Pikesville, MD

• Family Reunion | Horse-bird series | Bronze, railroad ties, wood  University of Maryland, College Park, MD | Collection of MD Artists

• Awakening | Horse-bird series | Welded Steel | Towson University, Towson, MD | Collection of Maryland Artists

   Art Exhibits | Sculpture 
Bronze | Brass | Cardboard | Clay  | Fiberglass
Mirrors | Paper | Resin | Steel | Stone | 
Wood

International  |  England  |  Korea

National
Current Exhibit: 
Columbia Crossing, York PA 8/2024–4/2025 
Delaware | District of Columbia | Massachusetts
North Carolina | Pennsylvania | Virginia

Maryland Galleries
Bacon GalleryBaltimore Hebrew Congregation Baltimore City Hall  Baltimore Life Gallery • Boordy VineyardsColumbia Arts Center • Contemporary • Dubey’s • Gallery 409 • Gallery ID8 • Lois Hodes Gallery • Howard County Arts Center • Howard County Department of Education • Katzenstein Gallery • Liriodendron Mansion • Maryland Art Place • Mill River • Monkton Arts Center • Rockville Civic Center • Roe Gallery • Temple Oheb Shalom • Towson Commons • Towson Unitarian Church

Maryland Universities
Dundalk • Towson • University of MD, CP-GC
Villa Julie/Stevenson • Western Maryland

Maryland Lobbies & Alternative Venues
AnnapolisGovernor’s State House | Baltimore: Lyric Opera House | Morris Mechanic TheaterBaltimore Life InsuranceFederal Reserve Bank | Sun Life Building

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Art Instruction

 1970-1985 | NCB Art School
2009-present | Private art lessons
 All ages: pre-school – middle school – high school – adults

I teach my students how to SEE; how to analyze and capture the ESSENCE of what they are viewing. When looking at an object to draw, paint, or photograph…whether it is a face, still life, interior space, or exterior composition…one needs to SEE the entirety of its parts, plus every detail.
     I build confidence and skill-sets, offer a wide variety of art materials, introduce my What-Why-How principles, and teach how to talk intelligently about the art created.

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The Business of Art

Business-of-Art Books
    2007, 2008  Promoting Art with Integrity, two editions
    1998             Promoting Fine Art: Washington DC & N. Virginia
    1984-1997   Promoting Fine Art: Baltimore & Maryland
    1983             Promoting Fine Art: Baltimore; master thesis

 Lectures & Workshops
Maryland venues; out-of-state venues noted

Art League@Torpedo Factory, VA • Art League of Ocean City • Artists Equity Association • Baltimore Watercolor Society • Bibelot Books • Boca Raton Art Museum Artists’ Guild, FL • Borders Books • Carroll County Arts Council • Center for the Creative Arts, DE • Charles County Arts Alliance • Chestertown Arts League • Columbia Art Center • Commission on Arts & Humanities, DC • Del Ray Artisans, FL • Essex Community College • Fells Point Creative Alliance • Finksburg Library • Florida Atlantic University, FL • Greenwich Arts Council, CT • Hagerstown Community College • Howard County Arts Council • Lake Worth Art League, FL • Laurel Art Guild • Maryland Art League • Maryland Art Place • Maryland Institute College of Art • Maryland Printmakers • Mt. Airy Library • New Arts Alliance • North County Art Association, FL • Queen Anne’s County Council • Sculptors Inc. • Senior Artists Alliance • Towson University • Women’s Artists Forum

 

volunteerism

 Nannette at Artscape 1986  |  Bringing Art Awareness to the Community.

My volunteering efforts turned to my fellow artists, as I realized visibility and communication with others were two of the most important factors in an artist’s quest for recognition and advancement in the art world.

Artists Equity Association’s Maryland Chapter (AEA)

During my 2-year presidency (1984-’86) of AEA, my goal was to form a consortium of Maryland’s arts organizations. Positive changes for artists, within the Baltimore community, could only happen if we banded together.

 Artscape 1985 | Baltimore City’s 3-day weekend 

I began by leading a small team of AEA members to meet with the director of the Mayor’s Advisory Committee on Arts and Culture.  We lobbied for an Arts Resource Tent, at the next Artscape, so art organizations (visual, performing, and literary) could distribute their literature to the public.  We were told, “We think it a good idea, BUT  do not have the staff or funding to add another large tent.”  Our AEA members made it happen!
I prepared a
schedule showing how 30+ organizations would rotate the 3-day weekend.  The positive feedback was gratifying and the Arts Resource tent was incorporated into Artscape’s budget for 1986 and many years to come. 
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 Maryland Artists Equity Foundation (MAEF)

MAEF, an outgrowth of AEA, is a nonprofit foundation, incorporated in 1984 to award tuition-scholarships to gifted high-school art students seeking college and careers in the visual arts. Ina Helrich, a past AEA president, founded MAEF’s concept and also designed the annual scholarship competition (5 jurors picked 25 finalists from over 100 applicants each year. A second set of 5 jurors ranked the finalists’ artwork for our exhibition and decided who should receive the top scholarships and monetary awards at the annual awards ceremony.  

I helped write MAEF’s charter and by-laws and eventually, became president of MAEF for 16 years until, after 24 years, MAEF merged with MICA to keep the scholarship program a viable part of the community. 

During my 16 years as MAEF’s President, and then President Emeritus, I initiated new ideas and chaired many programs; Tribute Scholarship Funds, art supplies for Baltimore inner-city schools, summer pre-college scholarships, MAEF’s website and the Winner’s Circle.

Winners’ Circle Exhibitions

The Winner’s Circle program gave our past finalists an opportunity to show their artwork in a prestigious setting, the Walters Art Museum, Baltimore Museum of Art, and Maryland Institute College of Art (MICA). It was gratifying to continue our connection with our high-school finalists and learn that many were engaged in successful art-oriented careers. 

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Other Volunteering

  • Baltimore Sculptors: originally Sculptors Inc, 1993 | charter board member | helped draft the by-laws | current Treasurer, 2018-present
  • Maryland Lawyers for the Arts: helped draft the 1984 by-laws | 1984, testified in front of the MD State legislature, in Annapolis, on an art-related bill to benefit artists.
  • Creative Arts Centre Advisory Committee, at Essex Community College, MD | board member for three years
  • Art classes for seniors with various degrees of cognitive impairment: Catonsville Commons in Baltimore MD (Alzheimer’s Art Program) | Hebrew Home of Greater Washington in Rockville, MD
  • Fundraising organizations for Cancer research; 1962-1980Dorothy Friedman Caplan Guild, long-time member, vice-president for two years | Mildred Mindell Foundation | long-time member

Married since 1962, Nannette has three daughters and sons-in-laws; plus six grandchildren who keep her young at heart.